I wish I didn't love ya; maybe I can enjoy life again.

So many cool things flying around the interwebs---

WGA Strike Over. Hooray for the writers! Does this mean American Gladiators will now be going away? Please?

Mike Huckabee says he doesn't want to be Vice President. That makes him and 300 million other Americans that agree with him. Or President for that matter.

Tomorrow is Indiana Jones 4 Trailer Day. I may even call in sick to work. My fourteen year old daughter is as excited as I am (she sent me a camera shot of the poster the minute she saw it in a theater lobby.)

M.A.S.H. set being rebuilt as possible camping site. Cool. How much fun would it be to have a drunken martini party in "the swamp?"

This Sick Astronaut story has an "Apollo 13" vibe to it. All I can see when I read about it is Tom Hanks peering out of a porthole at the moon. So close - yet so far.

Cthulhutech? What a really, really stupid idea. Still - it's nice to know Lovecraft has fans who don't even get his stories. It's called chaos, baby.

Blue Gal enjoys a bowl of Wild Animal Crunch for her morning-after-election breakfast.

He's Mister White Christmas, he's Mister Snow. He's Mr. Icicle, he's Mister 10 below.

If you hadn't been following the writer's strike compulsively you might have missed that the strike took a different tone in the last few days after the last series of talks "broke down. " In actuality it's become clear that the studios are following the George W. Bush model of negotiation- "Our willingness to compromise begins and ends with agreeing to sit down at the same table with you scumbags. Don't expect anything more than that." They are trying to break the union.

Patrick Goldstein has a great piece in the L.A. Times covering this conflict.

This puts all of Hollywood on the road to perdition. That still leaves the real unanswered question: Why have the studios walked away from the negotiating table? Although it seemed hard to believe at first, the evidence is overwhelming that they never had any serious intention of making a fair deal, at least the kind of deal that, as Lew Wasserman might have put it, would've allowed both sides to come away declaring victory. There is clearly a powerful studio faction that believes that giving residuals to the writers was a fundamental mistake. Since it's impossible to put that genie back into the bottle -- not that the studios didn't try -- the next best thing would be to put a tight lid on any new media revenue streams, since they will someday become the studio's biggest new source of profit.

In the broader picture the Director's Guild and Screen Actor's Guild have contracts up soon. The Director's aren't going to stand with the writers and pretty much get everything they want anyway as Overdroid pointed out to me yesterday but the actors are in pretty much the same boat as the writers when it comes to internet revenue and residuals. The studios want to break both unions.

The thing is the "new media streams" referred to above are currently democratic and inexpensive. Writers would probably be better off to break from the studios and tap these resources on their own outside of the studio system. The studios themselves seem to be signing their own death warrant. As painful as this is to watch it's akin to a slow-motion corporate suicide. You don't see that every day.